Colleen Heslin

girl friday 2016 colleen heslin dye on linen

Colleen Heslin's exhibition Needles and Pins
McMichael Canadian Art Collection Gallery  June 4 2016 - February 20 2017
organized by the Esker Foundation in Calgary
curator Naomi Potter

girl friday detail colleen heslin

sewn paintings
constructed colour fields

false start 2016 colleen heslin dye on linen

Colleen Heslin won the 2013 RBC Canadian Painting Prize

earth be earth 2015 colleen heslin dye on linen

Colour field paintings or modern quilts?
A Jack Bush solo exhibition runs concurrently at the McMichael

earth be earth detail colleen heslin

Art equals craft, Craft equals art.
The importance and meaning of materials

monochrome 2016 colleen heslin dye on  linen

 Colleen Heslin soaks fabric in dye, and then skillfully cuts and pieces these striking compositions.
They 'resonate with the tension of material and gestural complexity.'  (wall text)

dash 2015 colleen heslin ink and dye on cotton and linen

The work in this exhibition is recent, most from 2016.
Those from 2015 give more evidence about her mark making process.
She allows the fabrics that she stains with dye or ink to dry naturally, and then responds to the marks left behind without her hand touching them.
Not paintings then.

dash 2015 colleen heslin detail

Yet the viewer feels touched.
This artist is exploring and using cloth as a language and cloth is intimate.

counterpose 2015 colleen heslin ink and dye on cotton and linen

 We understand cloth.

log cabin 2016 colleen heslin dye on canvas

Cloth is like the human body.
It's malleable.

runaay 2016 colleen heslin dye on canvas

Most of the pieces are human scale.

The cloth is pulled around stretcher bars. 

seafoam 2016 colleen heslin dye on canvas

Not quilts then.