Monday, March 1, 2021

Lawrence Carroll

1985-86 oil, canvas, wood, wax, staples
 13" x 10.5" x 6" 

 1985 oil,, wax, canvas on wood
18" x 10" 

1987-88   oil, wax, canvas, staples on wood 
 9" x 9" x 7.6"
I was painting thin pieces of paper with black house paint that I would place on the white canvas.  I used staples because it allowed me to remove the painted lines and shapes if I was not satisfied, altering the composition as needed.
Breathing In
1988 89 oil, wax and paper collage on canvas on wood
  12" x  11" x 10"
Yes, like Matisse at the end of his beautiful life.  This was before I started cutting my paintings apart and using wax and other things.  

I was looking at Donald Judd. I was interested in the way that his wall and floor sculptures would come out of the wall and into the space.

1990   oil wax, staples, canvas, wood
33" x 15" x 10"
This physical relationship between the work and the viewer started to influence how I started to think about my painting.

It slowed down the viewer.

Heaven Picasso 
1994-95 oil wax house paint newspaper, canvas on wood
55" x 42" x 3"
You could not see the painting entirely in one view.  

You could not grasp it.

2017 oil, wax, staples, canvas on wood
19" x 1/2" x 11"
It added psychology to looking.  It opened up a world to me.

I looked at Carl Andre too - How and where to place the painting and how the placement changes the psychology of an entire room.

I felt I had everything.

installation at museo vincenzo vela in 2017
I thought of the canvas as a skin and wax as an ointment

and that there was a body of memory under the skin where things were buried for years and then for some reason they reappeared.

Lawrence Carroll 
I Have Longed to Move Away  works 1985-2017
edited by Gianna A. Mina
I started to think about cutting a painting completely apart.

And then about the futility of trying to put something that was once whole back together again, exposing all its imperfections. 

There was the revelation.   Painting does not have to be perfect

untitled  2017 
house paint and wax on canvas
19" x 19" 16"

Paintings can be flawed and vulnerable and imperfect and human.

Maybe my paintings are about my broken life.

2016 - 17  stain, house paint, wood pieces, canvas on wood 
67.7" x 108" x 1.5"
And that I'm trying to piece my life back together.

At certain times in your life, things appear.  Things come.

You look back on your life and examine it.

Last night I thought of different possibilities of what some of my paintings could be about and it shook me.

stain, house paint, wood pieces, canvas on wood
118" x 75" x 1.5"
It's impossible for me to always know and understand exactly what I'm doing.

I need time and distance.

The gift that I have been given is to be able to explore these things and to give comfort to myself in knowing that I have a place to express things that some people may bury inside themselves and carry away with them all through their lives.

oil, wax, house paint ,staples, canvas on wood
114" x 85" x 4" 
I like the idea that the painting can convey some of life's weight.

We all carry the weight of an imperfect life, some far greater than others.

Lawrence Carroll
I Have Longed To Move Away
Installation in Museo Vincenzo Vela, Switzerland

So what do you expose?  You have to risk.   You can't hide.   Lawrence Carroll  1954 - 2019

All text is from a Lawrence Carroll's interview with Barbara Catoir, entitled "Carry On the Light" .  

It is in the catalogue of the exhibition  I Have Longed to Move Away which was curated by Roberto Borghi for the Museo Vincenzo Vela in Switzerland during the spring of 2017.